Parsons Fine Art Advisory

Retail Replacement Value

Insurance appraisals

An insurance appraisal establishes what it would cost to replace an item with one of like kind and quality, in the appropriate market, within a reasonable time. It is the figure your carrier requires to schedule the item on a fine arts policy or valuable articles rider.


When you need one

Five situations that call for it

  • You are scheduling art, silver, jewelry, furniture or a collection on a policy
  • Your carrier or broker has asked for supporting documentation
  • Your last appraisal is more than five years old
  • You have recently inherited or acquired something significant
  • You are moving, lending to an exhibition or shipping abroad

What you get

A report formatted for your carrier

A bound and digital report identifying and describing each item, with measurements, condition, markings, provenance where relevant, professional photography, the market data supporting each value, and a signed certification. How an appraisal works

The report is formatted for direct submission to your carrier or broker; if your insurer requires a particular schedule format, send it and the report will match it. The practice works regularly with brokers across Rochester, Monroe County and the Finger Lakes, and with the national fine art underwriters they place through.

Updating

Three years or five

Most carriers want appraisals refreshed every three to five years. In fast-moving categories such as post-war and contemporary art, mid-century design and wristwatches, three years is already stale; in flat categories, five is adequate.

The practice will tell you which applies to your collection, and re-appraises its own reports within five years at half the original per-item fee, since the descriptive work is already done and only the market research needs refreshing.

Underinsurance is the common failure

The most frequent problem is an old number rather than a wrong one. A collection scheduled at 2015 values and never revisited will be paid out at 2015 values.

At claim time

What the report is actually for

An insurance appraisal earns its fee on one day, and it is not the day it is written. A current, itemized report means the adjuster is working from a description, a photograph and a market figure prepared before anyone had an interest in the answer. Without one, the burden of proving what the object was, and what it was worth, falls on the person who has just lost it.

Three things decide how a claim goes. Whether the item was scheduled individually or sat inside a contents limit. Whether the description is specific enough to identify what was lost, which is where a snapshot on a phone fails and a measured, marked, photographed entry does not. And whether the value reflects the market at the time of loss rather than the market at the time of purchase.

What a stale schedule costs

A painting scheduled at $40,000 in 2015, whose artist has since found a stronger market, may cost $70,000 to replace today. The carrier pays the scheduled figure. The $30,000 difference is not a dispute to be argued after the fact; it is a number that was fixed years earlier and never revisited. Refreshing the schedule is the cheapest part of owning the collection.

Where a loss has already happened and no appraisal exists, the practice prepares retrospective valuations from photographs, invoices, prior schedules and comparable market evidence, and states plainly in the report what could and could not be established. See damage, loss and diminution in value.

Scope

What usually needs scheduling, and what does not

Most homeowner's policies carry a contents limit that covers ordinary household goods adequately and named categories badly. Fine art, silver, jewelry, watches, firearms and collectibles are typically capped well below their value unless listed individually, and the cap often applies per loss rather than per item.

The practical test is whether losing the object would be a financial event rather than an inconvenience. In most collections that is a minority of the objects: the pictures, the signed silver, the clocks, the pieces that were bought deliberately. The rest can sit inside the contents limit where it belongs, and an appraiser who schedules everything is adding cost rather than protection.

Where a broker requires a particular schedule format, send it and the report will match it. Where a carrier requires updates on a fixed cycle, the practice tracks the date and will tell you when it comes due.

Common questions

What is the difference between replacement value and fair market value?
Replacement value is the cost of buying a comparable item at retail today, and it is generally the higher figure. Fair market value is what the item would fetch between a willing buyer and a willing seller. Insurance uses replacement value; the IRS uses fair market value. An insurance figure on an estate return overstates the estate, sometimes substantially.
Does a homeowner’s policy already cover art?
Usually only to a low sub-limit. Fine art, silver, jewelry and collectibles are commonly capped well below their value unless separately scheduled, and scheduling normally requires an appraisal. Thresholds vary by carrier; ask your broker.
Does the practice need to see the works in person?
For an insurance appraisal, yes. Condition materially affects value and cannot be assessed reliably from photographs. Inspections take place at the property.
How many pieces can be covered in a day?
On site, roughly eight to twelve objects an hour are inspected and photographed, depending on complexity, so a single visit covers most private collections. A schedule of twenty items is normally delivered two to three weeks after the visit.

Rate

$350 single item

Priced by the item: $125 each for items two through ten, $75 each from eleven; updates of an existing report within five years at half the per-item fee. Objects raising an attribution or provenance question are quoted in advance at $225 an hour. No project minimum. Fees are never based on the value of the property. Full fee schedule